Revisiting Stella Dallas from a cognitive theory of film

Different approaches address melodrama from different perspectives and usually focus on different aspects of a melodramatic production. Most of the approaches rely heavily on theories in ways of understanding melodrama. A cognitive theory of film focuses on the way audiences in general perceive a film. Staying within the framework of a cognitive theory of film, I have analyzed audience’s comments on Stella Dallas (1937) found at customer’s review. The analysis is supported by a close reading of the last sequence of the film.

Stella Dallas (1925) – That William Powell Site

Brain Sciences, Free Full-Text

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Stella French - Facebook, Instagram, Twitter [Profiles]

Stella French - Facebook, Instagram, Twitter [Profiles]

PDF) Race, Class, and the Pressure to Pass in American Maternal

Crafting Truth: Documentary Form and Meaning 9780813549026

PDF) Cognitive film theory An overview

Revisiting Robert Aldrich's Grande Dame Hag Cinema: Part I What

Revisiting Stella Dallas from a cognitive theory of film

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